As a rule, try to look for a natural color and balance the rest of the image around it. As a final step, you can adjust the color balance by tweaking the Gamma a little bit. Instead, try to balance the overall look of the aerial clip while keeping it as natural as possible. Don’t try to bring those back as odds are you won’t be able to. Once you have a balanced and properly exposed clip, it’s time to increase the Saturation and bring back the natural look of your image.ĭue to the limited dynamic range, it’s possible to have some blown out areas here and there. If the footage lacks brightness, you can tweak the Gain control to improve the highlights as a next step. To balance your Mavic Pro footage, first bring down the Lift levels, but be careful not to lose much detail in the shadow areas of your shot.
And, here’s the rest of the color grading workflow in DaVinci Resolve 12.5. Also, adjust the white balance, ISO, and shutter speed accordingly before taking off.
So, to leverage the capabilities of your Mavic Pro camera in the first place, seasoned colorist and filmmaker Casey Faris recommends using the Art picture profile while dialing the sharpening to -1 alongside the contrast and saturation that should be set to -3. One of the main differences that you would probably find when you compare the Mavic PRO videos to those captured on your Sony mirrorless camera, for instance, is the limited dynamic range you need to work with. Many aerial videographers, however, wonder how to color grade properly those clips in post. As a current owner of the DJI Mavic Pro drone, you should be well aware of the fact that for the most part it’s a fantastic, foldable quadcopter capable of capturing some stunning aerial footage in 4K.
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